Avenged Sevenfold’s Johnny Christ: “We don’t know if we’re gonna do a full album again”


Avenged Sevenfold bassist Johnny Christ was interviewed by KLOS Radio and discussed the unusual marketing for 2016’s “The Stage,” releasing the album by surprise and selling only 76,000 copies in the first week.

On why that marketing strategy would not work now, Johnny said: “I don’t know that they worked then, though [laughs], to be honest. It was something we wanted to try. Every time we do something, it is with full intent.”

He continued: “We decided at that moment in 2016, we were tired of the same rollout from the label, or whoever was involved — ‘You’ve gotta release this single, and it’s gotta live there for that long, and then you’ve gotta come out with this and then that and then that and then that, and then you get the album.’ We were, like, ‘Why can’t we just shake things up a little bit and try something new?’, knowing full well, to be honest, that we probably wouldn’t have a great first week or whatever and it would kind of shock some people. But we thought that that shock would eventually start a snowball effect that would get people to come around the record and at least get eyes on it. And I think we’re always just kind of pushing the envelope that way, to be honest. I mean, even the release of this record, to this day you’ll see that it wasn’t a traditional drop. We did a really cool scavenger hunt with the guys over at the Deathbats Club through some Web3 stuff, and then it was all to get to ‘Nobody’, the first single, and then flash forward a few months later, it’s gonna be the only song you really hear until we release the whole album. And that’s a little different these days, at least for our genre, it seems. A lot of the bands are dropping three, four, five singles before the album even comes out. To us, we just feel like this album in its entirety is too special to single out. We called ‘Nobody’ the single, but it’s really just our first [track to be released]; it’s not really the traditional idea of a single that represents the whole album. It’s just, like, ‘This is your toe in the pond of what is ‘Life Is But A Dream…’.'”

Christ added: “We want this to be a full experience as an album. We don’t know if we’re gonna do a full album again, to be honest. We might do singles and eventize those later on in our career. At this moment, this is our body of work that we want everyone to get kind of at the same time and experience it from track one to track eleven. And I think that that’s what has always been important to us, is the way we release things to the public. And it’s not because we’re hoity-toity and think we’re better than other artists or anything like that. It’s just we have a certain way that we communicate with our fans and have [done] for the last 20-plus years. And we like to keep that intact and always come up with a new, fun way of releasing it. Just like with our music — we’re always challenging ourselves and trying to do new things in our music. Why stop there? Let’s think about how we can do something fun in the releases and stuff like that. And I think that’s really what came back to the way we released ‘The Stage’. We had this grandiose idea that we could do… It might not be accepted right away. But the cool thing was we did what we wanted to do. We dropped a surprise release, which no one had done in our genre at the time, and we got to play on the top of Capitol Records, the iconic rooftop there, and do the first-ever virtual livestream in 2016. And at the time I didn’t even realize what that would mean. It wasn’t until 2020, as we all know, and everything went crazy and everyone went to virtual livestreams that it was able to actually show a little bit more significance that it already had being on the top of Capitol Records and playing a livestream.”


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